Visions of Identity:

Global Film & Media

The Fourth Annual London Film and Media Conference

 

26-28 June 2014 



 

 

Call for Papers

 

 

Contributions are sought for FILM AND MEDIA 2014: The Fourth Annual London Film and Media Conference, to be held at the University of London Institute of Education Conference centre in Bloomsbury, London, UK, on Thursday 26 to Saturday 28 June 2014. The 2014 theme is Visions of Identity: Global Film & Media. Papers and complete Panels are sought on this and closely related themes.  

 

Identity in a World of Scarcity

In a world divided between apparent abundance and true scarcity, the question of identity is paramount for many reasons. In a world of scarcity, human beings struggle to satisfy basic  needs and to establish the most basic forms of identity: to confirm themselves as human, against the overwhelming forces of the natural world which limit  their potential and which threaten the very foundations of their existence. In this struggle, notions of identity are of necessity immediately focussed on  material need, and are often, in an urgent quest for solidarity, more  collective in nature.

 

Identity in a World of Abundance

By contrast, in a world of seeming abundance, the notion of human identity appears to be more expansive in terms of the choices made available for its development. At the same time it is often difficult to separate from the sheer multiplicity of social agencies and forces – including those of the media - which surround and underlie the human subject. Human identity, for all its privileged access to these apparent riches, can be seen as determined and conditioned by them in their sheer variety and power. Challenges thus arise here for underlying assumptions about liberty, the self, the  individual, and about the relationship of the individual to the wider social community.

 

Identity Formation

Identity then emerges through this tension between felt scarcity and perceived abundance in terms of a number of specific determinations. The twin drives of genetic history and the processes of socialisation – nature versus nurture – ensure an over-arching, lifelong tension. The categorical imperatives of nation, race, gender, age and  social class provide critical and often dynamic and flexible parameters, whilst family and creed provide further perhaps more flexible templates. Running  through these categories, the interplay between conscious and unconscious realms, in all its dreamy intangibility, casts a further shadow upon this complex matrix.

 

The Role of Media Institutions

The institutions of the media, for their part, come into the frame by playing their own complex roles in the processes by which human beings acquire and negotiate identity. At economic and institutional levels, they express the powerful imperatives of State or commerce, or - less frequently - suggest forms of opposition to these powers. Where media authorship is concerned they express the identities of media-makers with variously privileged or subordinated roles and voices.

 

Identities on Screen

On our screens, film and media project a range of audio-visual identities, often dominant and sometimes marginal. Individual spectators and mass audiences are variously invited to consume, emulate or contest these in a complex process of identification which makes its own ongoing contribution to the wider process of identity formation at large. Here the star system is the supreme embodiment of this aspect of film and media as sites for the circulation and negotiation of images and narratives of identity  in process.

 

Papers and Panels

We welcome proposals for individual 20-minute Conference Papers/Presentations (to  which ten minutes of discussion will be allocated in each case) to be placed in appropriate Panels by us.

 

We also welcome proposals for pre-formed 90-minute Panels made up of  three 20-minute Papers (to which a total of thirty minutes discussion will be allocated).

 

Proposals via Website Form Only

 

Proposals should be made only via the Proposal Form avalable elsewhere on this website. Proposals are processed by means of sympathetic Peer Review. A formal response is normally provided within one week. Papare not required in advance.

 

Possible topics include:

 
- National Identities on Screen

- Global Identities on Screen

- Categorical imperatives: Race, Nation, Gender, Class, Age on Screen

- Familial Identities on screen

- Idenities of Creed

- Character-isation on Screen

- Media Types and Stereotypes

- Individual and Collective Identities

- Identity and Otherness

- Contestations of Identity on Screen

- Identities of Media Authorship

- The Star System

- Media ’Celebrities’ and ‘Personalities’
- Audience Identities

- Human and Non-human Identities on Screen

- Identities and Environment

- Identities of the Virtual

- Processes of Media Identification

- Media, Identity and the Unconscious

  

 

THE LONDON FILM AND MEDIA READER 4 now available for download!

We are delighted to announce that our latest ebook - The London Film and Media Reader 4 - is now available. 

 

Please see the next page on this site for your download.

 

Enjoy!

 

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